I am an artist and art historian working fluidly across painting, sculpture, performance, sound, text, image, and video. My practice investigates the physical and conceptual properties of form, color, light, sound, and language, considering how these elements shape perception and generate meaning. Through this inquiry, I explore the relationship between material and idea, between what can be measured and what can only be sensed.
My work takes shape as objects, installations, images, and documents that study the transformation of matter and thought through systems of correspondence. Each project develops within an open framework where one medium speaks through another, creating structures that reveal underlying patterns of order, rhythm, and resonance. This approach extends to my research and design work, including patented systems that investigate geometry, energy, and architecture as expressions of living form.
Alongside my studio practice, I serve as editor in chief of Battery Journal, a platform for critical writing and cultural production devoted to art, architecture, and theory. For more than two decades I have lived and worked in New York City, where the density and vitality of the urban environment have shaped my approach to art as an evolving dialogue between structure and flux.